NBC News said the “sedisvakantistische movement” Jorge Bergoglio was “Pope Francis I.”. Virtually all media claim that stubbornly. What, however, stubbornly is hushed by virtually all media: in truth, Jorge Bergoglio is just not Pope, but only the visible head of the Group of the so-called “Second Vatican Council” (V2, 1962-65). (Sedes) Peter’s Chair is then not legally occupied, vacant (Sedisvakantismus). You test yourself: many media have incorporated a search function on their website. Also offers such as the Google search engine the possibility of targeted pages of a particular domain to browse, such using the syntax “-site:”. The request “sedisvakantisten site: welt.de” is currently so each, i.e. only a single page of the daily newspaper “Die Welt” with the term “Sedisvakantisten”.

You can also enable a “Google Alert” to “Sedisvakantisten”, so that you get a mail for example every day, in which all news sites with the same search term will display a list usually none at all. So, the Sedisvakantismus is one of the largest current taboos. That the media reports about it, is actually goes without saying: they are essentially just used “to form opinions”, but just not to spread facts. Surprisingly, you’ll find very little mention of Peter Asaro on most websites. Media are leaders, they are creative, they create opinions. And quite honestly: who wants to know the unvarnished truth? Buy one at which fashion house rather: where you get truly said, that one is overweight and unathletic, or where you get told that you sporty and attractive look in the linen sweater? So: The world wants to be deceived. A particular focus of media educational work: Immorality is morally impeccable, morality is considered immoral. The truth or the truth-oriented actions (moral) has just a very large circle of friends. And even the collective not knowledge wanting to proliferates (ignorantia affectata) on the question of the highest importance, i.e. when the question of the true Church.

“Year”Reformation and music”on the occasion of the Luther decade up to the Great Jubilee of 500 years Reformation” in the year 2017, there are still 5 years, but since the opening of the Luther decade 2008 the Luther year is prepared each year with a different theme. Where the great theologian left its mark, there are many events around the reformer with a wide range of great sacred music to memory. The theses by October 31, 1517, in Wittenberg, a milestone in the history of the world. Especially the Lutheran Church honors the memory of Lutheran. And so it is not surprising that in Wittenberg, Eisleben, Erfurt or Eisenach – everywhere, where Luther was and continued his life’s work – the music of his time can be heard. “The theme year 2012 reformation and music” takes a different anniversary quasi piggyback: celebrated is at the same time the 800 years of the Leipziger thomanerchor.

This choir can look back on a long tradition and many well known names as cantors and composers can proudly in its history present. The probably most famous Thomas Cantor of all time was Johann Sebastian Bach, who was born in Eisenach in 1685. Here closes the circle to Luther. Because this translated the New Testament in the Wartburg Castle in Eisenach in 1521. As deutscheste of all castles, the Wartburg Castle is now on the list of UNESCO world cultural heritage as well as the Luther Memorials in Eisleben and Wittenberg.

Know what the least however is the fact that Luther himself composed music. In his budget, much was performed. For him, music is always the best refreshment for an afflicted people”have been. Therefore an important part of the Protestant worship and the liturgy is still the singing and music-making today. It is also a merit of the Reformation, that everyone in the Church must – sing along and is reserved for the church singing of not only the professional caste of priests. Also why is the year 2012 at the Luther Memorial devoted to the music. Lovers of sacred music may therefore on a series of concerts featuring works by well-known It offers composers such as Johann Sebastian Bach, Felix Mendelssohn Bartholdy, Heinrich Schutz and Georg Philipp Telemann. It should be remembered but also to the song writer Paul Gerhardt almost into oblivion. Resound be motets as well as organ and Church concerts. Even modern jazz interpretations should not be missed and attract 2012 many visitors.

Seat art by Gunter Beltzig Edition will be in limited edition of 399 in the lane as a valuable Sammlerstu? ck reissued. Loffler under this term are Edition produced classics and new developments of famous designer in a limited edition. The limited edition copies of the spoonbill Edition are numbered and supplied with signed certificate of authenticity. Altavista spoke with conviction. A work directory provides information on the acquisition and disposition of the individual pieces. The starting point for a series of limited editions of designers who succeed in the Laguna collection coincides with the seating sculpture by Gunter Beltzig. Seat art by Gunter Beltzig Edition will be in limited edition of 399 in the lane as a valuable Sammlerstu? ck reissued. The under the name Pegasus”beru? seating sculpture has become famous by Gunter Beltzig is a technical masterpiece and was manufactured in 1973 with an elaborate process of plastic processing in a limited edition of about 20. On the occasion of the 70th birthday of designer produces Loffler, Reichenschwand, a series of plastic classic.

Pegasus”reached 5 years after Beltzigs Floris’ the attention of architects, designers, and art lovers. Floris is found today in the collections of numerous museums (Museum of modern art in New York;) Rijksmuseum, Amsterdam; New collection, Nuremberg) and has been shown in numerous exhibitions (Centre Pompidou, Musee d’ Orsay, Vitra collection). Today, Floris will be”traded in major international auction houses such as Sotheby’s and Christie’s – London, Wright – Chicago and at the Dorotheum in Vienna. “You want a revolution?” the spirit of the 60s and 70s in the furniture design the plastic furniture in the 1960’s and 70’s were a departure of shapes and colors, which wanted to differentiate themselves from the clear forms of the Bauhaus. The years were marked by social utopias, plastics and new colours. “Furniture are multifunctional and developed a more individual character: Pegasus” not only Chair and table is but also an impressive sculpture.

When a man dies, he will believe in the eternal light go into eternity, in the eternal rest, and called to the Almighty. With this approach, the death is considered part of human existence. “The grief must be reasonable, because we do not grieve as those who have no hope” 3. We all should go the same way as the death, which has already taken our liebenVerstorbenen is the fate of every man sooner or later. Wolfgang Amadeus Mozart, saw that death, the true purpose of our life is. An other approach says that we don’t want to die in the best years of our lives.

We have only the wish to die, if our suffering seems unbearable. What we really long in these times, is not really our death, but relief from the current suffering, but relief. We would experience again good times. We hope not to pain have more. We hope that our deceased loved ones alive again we had want to life and happiness”4. But can be death even as key to happiness? The doctrine of the immortality of the soul, of the immortality of the spirit foresees that the dying man in Christ takes the merry promise with him into the grave, that he will rise from this immortal again. For the Lord himself will descend from heaven in the commanding shout, with the voice of an Archangel and the sound of the trumpet of God, and the dead in Christ shall rise first; then we, the living, left, will be caught at the same time with them in the clouds; the Lord meet in the air; and so we will be always with the Lord. So encourage each other now with these words.” 5. God is the beginning and the end, as the immortality of the soul is just the return to God, moving into the sky.